“Growing up in Shreveport, Louisiana, Aubrey’s living room looked more like a backstage green room than a family home. Her mom—friends with half the touring musicians in town—installed a full drum kit for impromptu jam sessions. Aubrey’s first attempt to join the action came in middle school band, where she proudly auditioned for the snare drum… and was promptly reassigned to triangle.

After high school, she and her mom moved to California, where Aubrey stumbled into her first real taste of DJ culture. At a weekly LA party called Banana Split, she watched DJ AM blend rock, hip-hop, and electro like it was a science experiment that somehow cured boredom. Inspired, she scraped together enough cash to buy her first set of decks from two club regulars named Joe and Big Sexy (yes, really).

“The first time I touched turntables, it just felt like everything clicked. My brain’s always juggling a thousand things, and suddenly all the noise lined up—multiple songs, one rhythm, all in sync.”

Soon she was spinning at LA staples like The Viper Room, The Echo, and The Standard. It was there she met Michelle, another DJ who shared her obsession with discovering the perfect track at the perfect time. Together they founded Haute Mobile Disco, an LA-based collective that helped pave the way for Aubrey’s next chapter: The Get Down.

When she moved to Denver, Aubrey teamed up with Tony to launch The Get Down, a DJ collective and production company rooted in connection, curation, and the art of a great party. The two shared a love of disco, house, and the kind of electronic music that makes people forget what time it is.

“I love that shared moment when someone on the dance floor catches your eye with that ‘oh hell yes, this song’ look. It’s like a secret handshake in rhythm form.”

Aubrey’s sets are a blend of house, disco, and EDM with flashes of hip-hop and pop—tracks that surprise, build, and pull everyone into the same pulse.

“Good music doesn’t age out. It just keeps evolving—and so do we.”